
Purcell Room, London, November 2019
Chamber Music in one form or another has always been a main activity for me. The music is varied in scale and instrumentation and requires a huge degree of involvement and artistic engagement, and is just great fun to play. The whole process of programme-planning, rehearsing and concert-giving is unlike any other genre and offers its own, very specific rewards.

Rosslyn Hill Chapel, London, February 2020
Touring as an ensemble can be one of the most enjoyable working experiences. We travel as a group visiting remote and beautiful corners of the country, to present concerts and recitals. After the performance there will always be conversations with members of the audience and perhaps a dinner, before stealing some sleep and then away again the following morning to the next venue. The concerts, which are always well attended and have a relaxed and expectant atmosphere can take place in churches, schools, village halls, grand country houses and even in pubs!

The relationship between the musicians and the audience is more intimate in a chamber music setting and there is a delightful informality which allows for a deep sense of connection and communication.

with Chamber Music Box
Introducing the programme is a central part of performing chamber music, placing the work in context and bringing a human angle to the story that surrounds the creation of the music.
